12:39 Weta Digital: Wayne Staples
Twenty-five years on, Weta Digital is more than holding its
own in a hugely competitive and fast-moving industry. As Weta celebrates its
25th anniversary, Lynn Freeman met long-serving Visual Effects Supervisor Wayne
Staples at Park Road Post to find out what’s changed in SFX, and what’s the
hardest thing to create on screen.
12:47 Animfx: Fabian Erlinghauser
Cartoon Saloon animator Fabian Erlinghauser on the new
children’s animated movie Song of the Sea. He explains why digital technology
has its limitations, why animated films still hold such appeal, and why he was
so pleased that Song of the Sea made his 11-year-old son cry.
1:10 Movies with Kailey Carruthers
The Hunger Games: Mockingjay Part 1, Amazonia 3D and Is the
Man Who is Tall Happy? Plus National Theatre Live’s Skylight.
1:34 Thomas LaHood
He gets strange looks when he hands over his passport with
Clown as his profession, but Thomas LaHood is taking the performance art in new
directions. Thomas and his wife Jo Randerson have created a clowning show White
Elephant they hope will bring communities together.
1:47 Jeremy Mayall: Mozart Fellow
Mozart Fellow at Otago University, Hamilton composer Jeremy
Mayall talks about collaborating with writers, film makers and other musicians,
plus the upcoming premiere of new works amidst butterflies at Otago Museum, and
he premiers a new work on SRO.
2:05 The Laugh Track - Chris Parker
Auckland-based TV and theatre actor, writer and comedian
Chris Parker tells us what makes him laugh.
2:26 Kickstarter: A year in NZ
Kickstarter’s Michael McGregor on the 110 projects funded in
a year since the global crowd-funding platform set up shop in New Zealand.
2:38 David McGill
Prolific ex-journalist turned author and social historian
David McGill on his new book, a memoir called Kingfisher, Kingfisher, Take My
Luck. Published by Silver Owl.
2:49 Adnan Yildiz
Auckland’s Artspace Gallery has just appointed their new
director. Adnan Yildiz trained in Turkey and has worked as a curator and
researcher throughout Europe – and he’s been given a license to change the way
Artspace operates. Justin Gregory asked him about his plans and why he wanted
the job.
3.05 The Drama Hour
Theatre Company’s The Brilliant Fassah, a radio adaptation
by Tim Spite and Gabe MacDonnell.
Visit our webpage for pictures and more information: http://www.radionz.co.nz/national/programmes/standing-room-only
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