Monday, March 10, 2014

The News – A User’s Manual by Alain de Botton - our reviewer is disappointed

Reviewed by Gordon McLauchlan

The News – A User’s Manual by Alain de Botton, published by Hamish Hamilton, is beautifully designed and made, but the contents are hugely disappointing. As a stylist, on this subject anyway, de Botton writes with the laboured condescension of a teacher taking a third form English class. He first states the obvious and then elaborates on it at length.
          The condescension comes from the relentless use of “we” and “us”. He tells me about how “we“ react to situations when I certainly don’t. He might want me to be one of “us” but I’m not.
          He writes: “The news is committed to laying before us whatever is supposed to be most unusual and important in the world: a snowfall in the tropics; a love child for the president; a set of conjoined twins. Yet for all its determined pursuit of the anomalous, the one thing the news skilfully avoids training its eye on is itself, and the predominant position it has achieved in our lives.  ‘Half of Humanity Daily Spellbound by the News’ is a headline we are never likely to see from organisations otherwise devoted to the remarkable and the noteworthy, the corrupt and the shocking’.”
          Apart from the fact this is hardly true of an industry which is too often self-referencing, the rather pedestrian prose demonstrates why he would never hold down a job in the news media.
          He spends thousands of words explaining that news is mainly designed to shock or at least affront us in some way, which could be summed up in the adage that just as no news is good news good news is no news. The now defunct Auckland Star many years ago adopted a policy of having one good-news story on the front page every day. Good fun and a worthy cause but fairly short-lived.
          De Botton seems unable to grasp the difference between news and commentary. He keeps insisting that a failure of news media is that it tells what is happening but not back-grounding why. It is the first function of a news journalists to say what is happening and then, if the reason is obvious, why.  But often why is complex and obscure and takes time to be understood. It is then left to feature writers, film-makers, perhaps eventually historians.
In a wordy chapter on economic news, he writes: “At present mainstream news organisations chiefly track the day- to-day activities within the economic establishment. They tell us what is going on, but not with any conviction of what might or should happen.”
          I don’t know what he reads but the newspapers and magazines I read are far too full of commentaries by people with strong convictions saying what might or should happen.
          He makes the point, laboriously, that in mass media business and economic news is too often esoteric with economists actually writing to other economists on arcane matters which will have little or no affect on the lives of ordinary people. Most of it isn’t real news at all. (That’s about half a chapter summed up.) But what he misses is what is obvious in this country too – that journalists writing on news pages on day-to-day economic matters of real concern to ordinary people are too often innumerate and recklessly bandy percentages and averages around, confusing readers because they can’t analyse the information they are processing.
The state of modern media has become a source of endless commentary as it fragments from a relatively few, once majestic and powerful newspapers, magazines, and national radio and television stations into a myriad of voices each shouting stridently to be heard.
          The cacophony of blogs and tabloids with their extreme, outlandish and mostly unreliable voices reminds me of a speech made a few years ago to a PEN writers’ conference in Helsinki by the Finnish Minister for the Culture, Claes Andersson, psychiatrist, novelists, poet and jazz musician . He said that when he was a boy everyone had to be cautious and measured in what they said or wrote; nowadays anyone can say anything they like, but no one is listening.

          I think it was a mistake for Alain de Botton, pop philosopher with an alert mind, to venture into this modern media maelstrom without a deeper understanding of what is happening. Too many intelligent, experienced professionals have been there before him and many will follow.

About the reviewer:
Gordon McLauchlan is an Auckland-based writer and commentator and regular reviewer on this blog.

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